‘Breaking Bad’ Season Four: “Problem Dog” & “Hermanos”

(Continuing my assessment of Breaking Bad‘s fourth season. Find the first installment here.)

7. “PROBLEM DOG”

In my last installment, I bemoaned Walt’s twin stupid choices — letting some Honduran maids into the meth lab, and buying his son a flashy new sports car. In “Problem Dog,” Walt makes a decision that’s ten times stupider and more reckless than either of those. It’s the kind of moment Walter White and Breaking Bad do so well — Walt decides to take the new car for a joy ride before taking it back, and, naturally, wrecks it. Rather than do any one of ten more sensible things, he decides to blow up the car. This in no way solves the problem — there’s still a record of him buying it, and it also gets him in trouble with the law (briefly, before Saul makes it all go away). I groaned and gnashed my teeth when Walt took the car for a spin, knowing he was fucking himself over yet again, but this behavior felt more in character than what happened last week in “Cornered.” When Walt makes a stupid move, it tends to be colossally stupid. Not the kind of dumb thing any parent or husband or meth dealer would do, but the sort of thing only Walter White, a man at the end of his rope, would do. Blowing up a brand new car definitely falls into that category.

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“It’s A Time Machine…”: The 15 Best ‘Mad Men’ Moments (So Far)

Is it me, or does the summer movie season get less lustrous every year? Sure, there are standouts — this summer, The Avengers, Prometheus, and The Dark Knight Rises have all been high on my to-see list — but the majority of what’s out isn’t all that attractive. There’s an ever-widening gap between art and commerce on the big screen — which makes this the perfect time to catch up with small one. With the rise of original programming on cable, TV has taken the opposite trajectory of cinema — lately, it’s only gotten better.

So this spring, while quality was on vacation at the multiplex, I turned to Netflix to catch up on a medium I’ve neglected over the past couple of years. That means I got to check out Game Of Thrones, Hung, and Happy Endings, to name a few, but primarily it meant that I finally got around to watching Mad Men.

And guess what, you guys? Mad Men is a really good show!

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‘Breaking Bad’ Season Four: “Shotgun” & “Cornered”

(Continuing my assessment of Breaking Bad‘s fourth season. Find the first installment here.)

5. “SHOTGUN”

“Walter!!”

That’s me, screaming at my TV set in fury at the end of “Shotgun,” which contains the most jaw-dropping “I can’t believe he just did that!” moment of the season to date. And it’s not a violent life-or-death situation, like when Walt let Jane die in Season Two or ran over Jesse’s nemesis in Season Three. It’s just Walt getting drunk and loose-lipped. But that’s what’s so good about this show — the most indelible moments are often the quietest, most everyday occurrences. (Or, sometimes, a plane crash.)

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Sun, Moon, & Stars: Wes Anderson’s A-List ‘Kingdom’

Is there a director with a more distinct signature than Wes Anderson? His meticulous mise-en-scene has spawned a slew of copycats; the word “twee” might have been created specifically to refer to his brand of filmmaking.

Fantastic Mr. Fox was one of my Top 10 Films of 2009, but beyond that, the Anderson ouvre has been one of diminishing returns. I liked Rushmore, but was never over the moon about it the way many critics are; The Royal Tenenbaums was more my speed, because at the time, it felt fresh. But then I’d had my fill of quirk. I just couldn’t muster the will to see The Life Aquatic or The Darjeeling Limited, which seemed like increasingly fanciful retreads of the same damn thing. It’s a criticism lobbed at Anderson often; I imagine he takes offense to that argument that “all his movies are the same.” Must an artist necessarily broaden his horizons from one project to the next?

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‘Breaking Bad’ Season Four: “Open House” & “Bullet Points”

(Continuing my assessment of Breaking Bad‘s fourth season. Find the first installment here.)

3. “OPEN HOUSE”

Okay, now we’re getting somewhere. In my last post, I emphasized the stark bleakness of Breaking Bad. And bleak it is. When you think Breaking Bad, you think of those shocking bursts of violence and mayhem, the nail-biting tension, or the overall scuzzy feel of the world these characters inhabit — the way you may need to take a shower after certain episodes.

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‘Breaking Bad’ Season Four: “Box Cutter” & “Thirty-Eight Snub”

I’ve been a Breaking Bad fan since the beginning. I got in on the ground floor, not knowing what I was in for.

When it debuted, Breaking Bad sounded a bit like a twist on Weeds — maybe even a rip-off. A nice suburban person hits some bad luck and turns to the drug trade for a financial assist. And like the trials an tribulations of Nancy Botwin, Breaking Bad‘s early episodes did play a lot of that for comedy.

Except this show was about meth. So there seemed an inherent flaw in its premise — because even if he has cancer, and even if he’s doing it to provide for his family, how do you make a guy who manufactures and sells methamphetamine palatable for a mainstream viewing audience? And likeable?

As it turns out, you don’t.

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Adult Toys: Wynter Gordon // “Still Getting Younger” Video

Wynter Gordon previously got down and dirty in a fight to the death with Steve Aoki in their “Ladi Dadi” video. Now, the clip for Wynter’s latest (and last) With The Music I Die single “Still Getting Younger” reprises the concept of the video, with one major change — instead of real weapons, Wynter and her playmate are tapping into their inner children and blasting each other with squirt guns and water balloons. Still getting younger, indeed.

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‘Prometheus’ Versus Them: It’s Ridley’s Believe-It-Or-Not!

In space, no one can hear you say… “Hmmm…”

That could very well be the tagline for Ridley Scott’s new “is it a prequel to Alien or what?”, and the answer — spoiler alert! — is yes, definitely. There was never any question that the film was aping Alien in its trailer, not to mention the overall look of the film. The production design and cinematography both clearly harken back to the 1979 sci-fi classic that put Scott on the map. But it remained a bit unclear how much of Prometheus‘ story would connect to the tale of the ill-fated Nostromo. In fact, it was pretty unclear what Prometheus was about at all, thanks to coy marketing. (Not that I’m complaining about that. The less I know a bit film walking into it, the better.) I went into Prometheus not knowing what to expect. What I got? Everything.

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The Tens: Best Of Film 2009

Continuing my retrospective Top 10 lists. Keep in mind, this list is from awards season 2010… and I don’t necessarily stand behind every one of these choices anymore…

Okay, so this was the year the Oscars got on my nerves for announcing ten Best Picture nominees. (And judging by what was included in those ten, I think we can all agree that I was right to be irked, which is some vindication, at least.)

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