Well!
There have probably been at least five episodes of this show that left me thinking, “Well, now Walt’s really evil.” Just when you think our antihero has crossed every line he could possibly cross, he goes just a little bit further.
Or, in the case of this week, he goes a lot further.
(Read about the previous episode here.)
“You actin’ kinda shady
Ain’t callin’ me baby
Why the sudden change?
Say my name, say my name
If no one is around you
Say baby I love you
If you ain’t runnin’ game
Say my name, say my name…”
(Read about the previous episode here.)
One of the established tricks of screenwriting is, when stuck, put two characters who haven’t had any scenes together in a room and see what they say. I’ve never knowingly had to resort to this, because I never run short on material, and I doubt the writers of Breaking Bad were exactly “stuck,” either — surely the aftermath of last week’s devastating murder was rife with possibilities for where to take “Buyout.”
Still, this episode does something unexpected — it puts the two most important people in Walt’s life in a room together. And the truly surprising thing isn’t that it happens, but that it only highlights how strange it is that Skyler and Jesse have seen so little of each other throughout the series when we’ve seen so much of the two of them.
(Read about the previous episode here.)
Well, that didn’t go according to plan.
Kids are often placed in harm’s way in movies and on TV. How many times have you seen a guy take a child hostage as leverage?
But the kid gets away. Almost always. Because seeing children die is unpleasant, especially when it’s done in a violent way.
On Breaking Bad, though? You never know.
(Catch my write-up of the season premiere here.)
Even after last week’s season premiere, it was unclear what path Breaking Bad would take in its fifth and final season. “Live Free Or Die” was all about cleaning up Season Four’s messes, and “Madrigal” does a little of that before heading in an entirely new and surprising direction.
(Catch up on Season Four here.)
After a rollicking Season Four in which Breaking Bad became, quite deservedly, one of the buzziest shows on TV, the Season Five premiere had a lot to live up to. While a few threads were left unresolved in “Face Off,” in many ways, things were tied off much more neatly than we’re used to from this show. All the most menacing villains were offed in one fell swoop, meaning that vice grip of tension Vince Gilligan held us in over the last season or so was finally relaxed. Now, we can breathe.
(Wrapping up my assessment of Breaking Bad‘s fourth season. Find the first installment here.)
13. “FACE OFF”
Oh, Breaking Bad. So clever with those episode titles!
Let me start this review by repurposing some familiar song lyrics:
“Ding dong, the Fring is dead…”
(Continuing my assessment of Breaking Bad‘s fourth season. Find the first installment here.)
11. “CRAWL SPACE”
So this is it. Three episodes to go, and with ominous titles like “Crawl Space” and “End Times” and “Face Off,” you know it won’t be a trio of light-hearted comedies about everyone making nice over a bucket of chicken at Los Pollos Hermanos. These titles make it pretty explicit — shit’s gonna go down.
(Continuing my assessment of Breaking Bad‘s fourth season. Find the first installment here.)
9. “BUG”
After last week’s tense, cinematic Gus-centric flashback episode, “Bug” gets the forward momentum back on track, focusing on the series’ core characters and the central relationship of Breaking Bad — Walt and Jesse’s. For the entirety of Season Four, Walt and Jesse have been operating on completely different wavelengths, both physically and emotionally. Walt is acting out like a reckless rebellious teenager at work, while maintaining his mild-mannered “normal” persona for his family; after a drug-addled flirtation with apathy and self-destruction, Jesse cleaned up his act and became a key player in whatever plan Gus is cooking up (in addition to all that meth).
