Sun, Moon, & Stars: Wes Anderson’s A-List ‘Kingdom’

Is there a director with a more distinct signature than Wes Anderson? His meticulous mise-en-scene has spawned a slew of copycats; the word “twee” might have been created specifically to refer to his brand of filmmaking.

Fantastic Mr. Fox was one of my Top 10 Films of 2009, but beyond that, the Anderson ouvre has been one of diminishing returns. I liked Rushmore, but was never over the moon about it the way many critics are; The Royal Tenenbaums was more my speed, because at the time, it felt fresh. But then I’d had my fill of quirk. I just couldn’t muster the will to see The Life Aquatic or The Darjeeling Limited, which seemed like increasingly fanciful retreads of the same damn thing. It’s a criticism lobbed at Anderson often; I imagine he takes offense to that argument that “all his movies are the same.” Must an artist necessarily broaden his horizons from one project to the next?

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‘Separation’ Anxiety: A Tense Iranian Drama Goes For The Gold

(Films discussed in this post: Trespass, Boy Wonder, A Separation, Passion Play, Tuesday After Christmas, The Trip, The Double, The Beaver.)

This is my 100th post in this blog, and coincidentally, this post also marks 100 reviews of 2011 films. As you’ll see, I’ve saved some of the most obscure for last.

Every year there are hundreds of films that fly off the radar. There are a number of different levels of visibility for a movie; some, you’d have to be blind, deaf, and dumb to miss hearing about, which covers most major studio releases. Then there are the indies that the majority of mainstream viewers won’t have heard about, but most film-savvy people will — we’re talking the Take Shelters, Martha Marcy May Marlenes, and Bellflowers of this world. There are a couple levels even below that, too — the ones only the really film-savvy will have seen or heard of, like The Arbor and Poetry. And then it keeps going, to films that were screened at festivals but not picked up for distribution, or shot and never released, until it’s a film that only you have heard of, because you made it up in your own mind.

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Trailer Trash: ‘ATM’ & ‘Moonrise Kingdom’

We’ve got some truly enticing titles with tantalizing trailers coming out this year — The Dark Knight Rises, The Hunger Games, and Prometheus, to name a few.

But let’s be honest.

Most movies are not nearly as appetizing, and their trailers generally reflect that.

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