There are numerous reasons to lament the way cinema is heading — inflated ticket prices, needless 3D, the death of film projection, all leading to all sorts of problems that affect the quality of Hollywood’s output.
But let’s put that aside for now and focus on the positive changes. One of the great advantages of the advent of streaming video is that it makes small, little-seen movies as readily available as blockbusters. There are many films I would likely never have gotten around to if doing so weren’t so simple as clicking a button — The Arbor and Poetry are prime examples. These are the movies that benefit from being available when you’re “in the mood” for a rambling Korean film about an old woman taking poetry classes, or a pseudo-documentary about a foul-mouthed playwright. (Which, admittedly, is not always.) It’s less of an investment to begin a film with the option of turning it off and selecting another if it doesn’t captivate you. (Though I dislike this practice as a rule; many great films aren’t so obviously great within the first five minutes.)