Since my live blog of the Golden Globes this year was surprisingly popular (really, I didn’t think anyone would care what I have to say), I am again live-blogging and tweeting up a storm for the Academy Awards this evening.
Should you need them, here are my predicted winners.
Though so many of us take the Oscars very seriously (guilty as charged), really, it’s just a game. It’s no different than the Super Bowl, except there are about five teams playing in every “quarter” and it’s actually quite embarrassing to be wearing the same outfit as anyone else. No jerseys on the red carpet.
Naturally, I was on Team Shame until it was not-too-shockingly nominated for nothing. That happens a lot in sports — your team doesn’t make it to the playoffs. Whatever. You pick another horse and bet on that one instead. (I’m almost done mixing sports metaphors, I swear.)
At this point, what else is there left to say, but:
Oscars…
Extremely Lame & Incredibly Disappointing.
Predicting the Oscars is useless. Sure, it can be fun guessing the winners when the big night is nigh, but what’s the use of predicting nominees? I’m telling you, there is none.
And yet, people do it. I use the term “people” to refer to that small handful of folks like myself for whom the Oscars are like Christmas; meaning the Golden Globes are like Thanksgiving — basically the same thing, but ultimately meaningless and less rewarding. So predicting the Oscars is like warming up for the holiday season — getting a jump on shopping, putting the lights and tree up, and already exhausting the holiday playlist on iTunes before most people have started caring yet.
(Films discussed in this post: A Dangerous Method, 50/50, Cedar Rapids, Margin Call, The Perfect Host, The Guard, The Ides Of March, Horrible Bosses, Warrior.)
In my post on “The Chicks,” I reflected on the ups and downs for females in film last year, from the ribald shenanigans of Bridesmaids to the slightly-less-ribald racial politics of The Help.
Ladies first. Now here come the guys.
The Screen Actors Guild Awards nominations were announced this morning — in which the actors applaud their peers for the finest performances of the year.
Last year’s winners were Colin Firth, Natalie Portman, Christian Bale, Melissa Leo, and The King’s Speech. Sound familiar? The winner of the Best Ensemble award is virtually guaranteed a Best Picture nominations at the Academy Awards.
Yes, all eyes will be on the SAG Awards this year.
