Abe Is Enough: ‘Lincoln’ Emancipates Spielberg From His Usual Tricks

Four score and seven years ago, it was 1925. That’s not really relevant, but it seems difficult to write a review of Lincoln without including the man’s most famous phrase, even if not that many people even know how many years “four score” is, and even if that’s the least important aspect of his Gettysburg address (and yet the most enduring).

So then, with that out of the way, let’s talk about a movie that is only partially about the events of 1864-1865, at least on a subtextual level. Technically, there’s no reason Steven Spielberg couldn’t have directed Lincoln a decade ago, in exactly the same way. But it wouldn’t have been the same movie — not by a long shot. Lincoln is a curious thing — a movie that takes place 150 years ago that might be more relevant now than it ever could have been before.

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The Reel Me: Unmasking The Man Behind The Mockery

Any cineaste worth his salty popcorn knows the legend of the Lumiere brothers’ 1895 short Arrival Of A Train At La Ciotat, one of the first films ever screened. (Back in 1895, they preferred titles to tell it like it is — no fancy-pants The Upside Of Anger or Broken Flowers.) The Parisian audience settled into their seats awaiting a charming new form of entertainment and, as said train arrived at the aforementioned station, they collectively jumped up and bolted out of the theater for fear of being run over.

Now that’s effective filmmaking.

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Yay Or Neigh?: Spielberg Ponies Up Two New Family Films

(Movies discussed in this post: War Horse, Attack The Block, X-Men: First Class, Harry Potter And The Deathly Hallows, Paul, Super 8, The Adventures Of Tintin.)

From The Artist to Midnight In Paris to Hugo and a number of others, 2011 is a big year for nostalgia for all sorts of mainly things — but mainly, for old movies. Hugo and The Artist display it most blatantly, but it’s everywhere — take the romanticized look at growing up in the 50′s (not to mention nostalgia for the creation of Earth) in The Tree Of Life, or the paranoid Towering-Inferno-meets-21st-century-paranoia star-killer Contagion, or the retro heroics of Captain America: The First Avenger, or the 80′s kitschiness evoked by Drive, or the surprising success of a prequel to a campy 60′s movie, Rise Of The Planet Of The Apes. Even the latest Mission: Impossible embraced a silliness that felt borrowed from old spy TV series rather than John Woo-style theatrics.

And because of it, you can hear audiences breathing a collective sigh of relief: “Oh, thank God. We’re allowed to have fun at the movies again.”

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Twenty ’12: The 20 Most Anticipated Films Of 2012

It’s a brand new year, which means brand new movies. Largely, 2012 promises more of the same — more sequels, more comic book adaptations, more prestigious literary adaptations, more zombies and vampires. But at least a few motion pictures look to break the mold this year.

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Gold Rush: BFCA Critics’ Choice Awards Nominees & Winners

Another day, another smattering of kudos from an organization most filmgoers don’t even know exists. This list keeps Hugo and The Artist on top of things, as will as giving The Help a little more awards-wind beneath its wings.

See the full list below.

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