(Films discussed in this post: A Dangerous Method, 50/50, Cedar Rapids, Margin Call, The Perfect Host, The Guard, The Ides Of March, Horrible Bosses, Warrior.)
In my post on “The Chicks,” I reflected on the ups and downs for females in film last year, from the ribald shenanigans of Bridesmaids to the slightly-less-ribald racial politics of The Help.
Ladies first. Now here come the guys.
It’s the Golden Globes! And because I currently have nothing better to do, I am watching and blogging about them. (Nominees here, FYI.)
I’ll be doing some sort of live-blogging/recap as we go on, so… enjoy!
The Producer’s Guild Awards are one of the biggest prognosticators of what the actual Best Picture nominations (and winners) will be.
Yeah. Leave it the producers to decide everything.
Ah, The Golden Globes. What can I say about The Golden Globes that hasn’t been said before?
Another day, another smattering of kudos from an organization most filmgoers don’t even know exists. This list keeps Hugo and The Artist on top of things, as will as giving The Help a little more awards-wind beneath its wings.
See the full list below.
