“Choose life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, Choose washing machines, cars, compact disc players, and electrical tin can openers. Choose good health, low cholesterol and dental insurance. Choose fixed-interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisure wear and matching luggage. Choose a three piece suite on hire purchase in a range of fucking fabrics. Choose DIY and wondering who the fuck you are on a Sunday morning. Choose sitting on that couch watching mind-numbing spirit-crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pishing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked-up brats you have spawned to replace yourself. Choose your future. Choose life… but why would I want to do a thing like that? I chose not to choose life: I chose something else. And the reasons? There are no reasons. Who needs reasons when you’ve got heroin?”
In the mid 1990s, Hollywood was inundated with an exciting new class of independent filmmakers who would change the movie business as we knew it. People were really paying attention to films with low budgets and unique visions — but only one of those films featured a dead baby crawling on a ceiling.
Trainspotting (1996) is one of the most provocative, intoxicating films to come out of the 90s indie scene. But 20 years after its release, has the high worn off? Take a jump into the Worst Toilet in Scotland (it’ll be worth the trip) and join us as we discuss whether Danny Boyle’s surrealist joyride into the world of heroin addiction still holds up.
When We Were Young is a podcast devoted to the most beloved pop culture of our formative years (roughly 1980-2000). Join us for a look back to the past with a critical eye on how these movies, songs, TV shows and more hold up now.
You can help us defray the costs of creating this show, which include purchasing movies/shows/etc to review, imbibing enough sedatives to take down an elephant, and producing & editing in-house at the MFP Studio in Los Angeles CA, by donating to our Patreon account, and don’t forget to subscribe and leave a review on iTunes!